Amber Officer- Narvasa

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Alive Someplace Better: EJ Hill’s Horizontal Poetics

EJ Hill lays, prone, on a rectangular, wooden platform in the second-floor gallery space of…

A Letter To Marlon Riggs

Dear Marlon, I wanted to write to you, in light of your film work and…

The Provocation Of Ambiguity And Agency

On a pitch-black stage, a single spotlight shines on a tall, thin woman clad in…

At The High Museum, Basquiat’s Star Still Shines Brightly

“…[T]his requires a hip-hop sensibility to the extent that codes artistically arranged are the hallmark…

“Why Ain’t There No [Sisters] On The Wall?”

Sometimes, when I look up the photographers behind the credits of my favorite magazines, newspapers,…

The Poetics Of Wangechi Mutu’s Hybrid Human

Violence is a force exerted with intent to destabilize. It’s often described in congruence with…

To You, From Me // Meditations On The Poetics Of Revolution: A Letter To Kerry James Marshall

I. I don’t subscribe to transcendental notions, generally. I like for things to be firmly…

Melancholia, Black Moaning, And Futile Hope

Praying Protesting And knowing that there will be no peace These are, I think, the…

The New Curriculum: Reflections On The 2015 Creative Time Fall Summit

The 2015 Creative Time Summit in New York City, a two day long conference that…

A.I.R Gallery Considers The State Of Feminism Through The Visual

Feminism and its waves have met their fair share of backlash. Ann Oakley and Juliet…