Reviews

The Beauty Of Black Women: Theresa Chromati’s Oppositional Framework

“Not only will I stare. I want my look to change reality.” – bell hooks…

Alive Someplace Better: EJ Hill’s Horizontal Poetics

EJ Hill lays, prone, on a rectangular, wooden platform in the second-floor gallery space of…

The Provocation Of Ambiguity And Agency

On a pitch-black stage, a single spotlight shines on a tall, thin woman clad in…

At The High Museum, Basquiat’s Star Still Shines Brightly

“…[T]his requires a hip-hop sensibility to the extent that codes artistically arranged are the hallmark…

To You, From Me // Meditations On The Poetics Of Revolution: A Letter To Kerry James Marshall

I. I don’t subscribe to transcendental notions, generally. I like for things to be firmly…

Detroit Three #1 – January 2016

Since moving back to my hometown Detroit, I have been wanting to document the changes…

A.I.R Gallery Considers The State Of Feminism Through The Visual

Feminism and its waves have met their fair share of backlash. Ann Oakley and Juliet…

The Gravitas Of Time

Time has long become a spatial quotient, its free-flowing nature now fenestrated into smaller units.…

Jack Whitten: Five Decades Of Painting

The five-decade Jack Whitten retrospective at the Walker Art Center explores and recounts the artist’s…

Nic Notion’s Etiquette

I approached what looked to be a desolate warehouse on 1600 block of Fort Street…